And unlike other SAG AFTRA Theatrical agreements, you don`t have to provide a theatrical screening under this agreement. The low-budget agreement is now called the Low-Budget Theatrical Agreement («LBA»), and the prices of the daily and weekly main actors are set at 65% of the scale of the basic agreement and increased each year with the scale (daily rate of $653 and weekly rate of $2267 until 06/30/20). The AMLA remains limited to projects with a first theatrical release, with budgets of over $700,000, but no more than $2,000,000. There are still a variety of casting incentives. In films with the lowest budget – classified as experimental – actors can`t get paid anything, and producers get exhibition rights at the festival plus rights limited to a week-long theatrical commitment to qualify for the Oscars. Despite three low-budget options, the SAG Ultra Low Budget deal only applies to films (and short films) that cost $300,000 or less. While there is no weekly SAG scale for Ultra Low Budget projects, the daily SAG rate is $206. The union says the new contract «allows for negotiable terms, making it an effective option for projects that require a quick turnaround time.» Unlike other low-budget contracts that have a longer registration process, projects eligible for the micro-contract can be launched immediately after the application, provided that the performers are informed of the conditions. It`s a long blow for films made under these deals to make money at all – but every year a few come out of the pack. One of them was recently «Pi». Director Darren Aronofsky grossed $134,815 and grossed more than $3.2 million.
As with most SAG deals, the more time you set aside for actors, the less you have to pay them per day. Hopwood Productions – a company owned by writer, director and star hopwood Depree – is producing the film under a low-budget deal with the Screen Actors Guild. There are so many different rates, rules, and regulations to follow when hiring SAG players that the task can be overwhelming. Topsheet has set itself the goal of making it easier! Our union rate finder is free and easy to use, so you can calculate your budget in no time! And you can be sure that your numbers are correct. We also wanted to create a complete page that made it easy for producers to find what they need in terms of SAG/AFTRA prices. Keep scrolling down to find everything that says/AFTRA. Note that this is not intended to replace the paymaster of entertainment partners. SAG-AFTRA low-budget agreements have been created with the contribution of filmmakers and actors to make it even easier for you to hire professional artists. Would you like to see an example of what agreements look like? Remember, these are just SAMPLES. Your SAG-AFTRA sales representative will send you your current contract when you sign it. Unlike SAG deals for movies (where everything is determined by budget), prices in the TV world are determined by the number of episodes you`re going to create and, in most cases, by the length of the episode. The SAG MODERATE low-budget agreement applies to films with a budget between $300,000 and $700,000.
The SAG daily rate is $361, while the SAG weekly rate is $1,251. Non-unionized actors are allowed, while substantive actors are not covered. Below are tables that start with a very high perspective and move to a deeper, disaggregated perspective. By following the tariff tables, you will find a breakdown of the rules and penalties by appointment. We will go into the details of SAG schedules for daily and weekly players, information about food and rest penalties, over time, day 6, day 7, holiday payment rules and more! Amazon, Instagram, YouTube – these are just some of the goals that the Screen Actors Guild calls «new media.» Whether you`re making a movie or a series, both fall under this deal as long as your budget ranges from $50,000 to $1,000,000. Unlike SAG Class A fares, you`ll have to pay a little more if New York is one of your cities, which is why most opt for the first deal. The 1st utilization rates are as follows: Efforts sponsored by the Industry Advancement and Cooperative Fund, a joint venture of SAG and film producers, have significantly increased the number of films signed, mainly in low-budget categories, which have notoriously little commercial value. Short project agreements cover films with a total budget of less than $50,000 and a maximum duration of 40 minutes. Unlike other SAG daily rates, actors` salaries are fully negotiable.
This is probably also your SAG agreement if you are photographing a wild place. Unlike national or cable ads, wild spots are ads that run in more than twenty specific cities. If you are making a TV series that goes directly online (ala Netflix) and your budget is less than a million, then you should check out New Media. —— If you`d like to receive announcements and updates on making low-budget films, sign up for SAGindie`s email newsletter. The campaign began two years ago when less than 30% of non-documentary films at U.S. festivals were covered by SAG. Now, 93 percent of the films at the current Sundance festival are under contract, SAG officials said. The success of the campaign leads even the leaders of the unions of subclasses or non-actors to talk about pushing harder to achieve productions with mini-budget. There are two main advantages to using low-budget deals: While in-theater SAG rates depend on budget, commercial SAG rates depend on where and how often you`ll be running the ad. SAG AFTRA rates are the minimum amounts for which the Screen Actors Guild allows its members to work on a particular project.
Subsidence rates are offered both daily and weekly and are often determined by the type of project, specific budget constraints and distribution plan. SAG`s basic theatrical agreement applies to films with a budget of more than $2,000,000. While premium talent is usually paid well above the SAG minimum, this is the price actors can expect on a low-budget studio project or moderate independent film. .